Gerard or Gerard de Lairesse (11 September 1640 or 1641 - June 1711) was a Dutch Golden Age painter and art theorist. Lairesse was born in Liege. His broad range of talent included music, poetry, and the theatre. He was perhaps the most celebrated Dutch painter in the period following the death of Rembrandt. His treatises on painting and drawing, Grondlegginge der teekenkonst (1701) and Groot Schilderboek (1707), were highly influential on 18th-Century painters like Jacob de Wit. Students of De Lairesse included the painter Jan van Mieris. He died in Amsterdam.  Related Paintings of Gerard de Lairesse :. | Odysseus und die Sirenen | Antiochus and Stratonice | Venus Presenting Weapons to Aeneas | The Expulsion of Heliodorus From The Temple | Venus schenkt wapens aan Aeneas |
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Johann Carl Loth
German Baroque Era Painter, 1632-1698 was a German painter, born in Munich but active most of his life in Venice. He is also called Johann Karl, Carlotto, and Carlo Lotti. He was the son and pupil of Johann Ulrich Loth (1590- 1662). He was commissioned to paint for the emperor Leopold in Vienna. He was influenced by Pietro Liberi. His brother Franz Loth was also a painter in Venice and Germany. He had numerous pupils including Willem Drost, Cornelis de Bruijn, Johann Michael Rottmayr, Paul Strudel, Santo Prunati, Daniel Seiter, and Giovan Battista Langetti.
Constantin Lecca
was a Romanian painter and muralist.
David Rijckaert
David Ryckaert III, sometimes called The Younger (2 December 1612 (baptised) - 11 November 1661) was a Flemish painter. A member of the Ryckaert family of artists, he was born and raised in Antwerp, the city in which he conducted his career and in which he died. He was the son of David Ryckaert II, grandson of David Ryckaert I, and nephew of Martin Ryckaert. David Ryckaert was a pupil of his homonymous father; his work was influenced by the styles of Adriaen Brouwer and both David Teniers the Elder and David Teniers the Younger. Ryckaert is noted for large and often humorous genre pictures of farmers and landlords, and powerfully coloured still lifes. He also painted a range of other subjects, including religious pictures; his The Temptation of Saint Anthony (1650) is in the collection of the Palazzo Pitti in Florence.